iMage crediTs Please note that all artwork images in this catalog are typical of the artists’ work and are not representations of the piece you will ultimately receive. All working photos were taken in the Museum of Glass Hot Shop, unless otherwise noted. Photos by Ken Emly, unless otherwise noted. Page 1: Richard Marquis working in the Museum of Glass Hot Shop Page 3: Chihuly Bridge of Glass, with Museum of Glass in the background. Photo by Mahesh Thapa Page 10: Rik Allen, X-12 Teslascopic Probe, 2007. Image courtesy of artist. Rik Allen, Hypernicus, 2009. Collection of Museum of Glass, Tacoma, Washington, gift of the artist Photo by Duncan Price Page 11 and 12: Images courtesy of the artist. Page 13: Photo by Russell Johnson Page 14: Dan Dailey, Birds with Red Cubes, 2010 Image courtesy of the artist. Dan Dailey, Brilliant Image courtesy of the artist. Page 15: Tammy Garcia, Untitled. Image courtesy of Blue Rain Gallery. Tammy Garcia, Untitled. Image courtesy of Blue Rain Gallery. Tammy Garcia, De Tribute, 2012. Image courtesy of Blue Rain Gallery. Page 16: Image Courtesy of Blue Rain Gallery. Photo by Dorie Hagler Page 17: Photo by Richard Nicol Image courtesy of Bellevue Arts Museum. Page 18: John Grade, Perch, 2013. Image courtesy of Davidson Galleries. Photo by Jeffery Kuiper John Grade, Core, 2013. Image courtesy of Davidson Galleries. Photo by John Grade John Grade, Parse, 2013 Images courtesy of Davidson Galleries. Photo by Emily Gage Page 19: John Kiley, Intersected Vertical Overlap, 2011. Image courtesy of the artist. Photo by Jeff Curtis John Kiley, Opaque Rain Overlap, 2013. Image courtesy of the artist. Photo by Jeff Curtis John Kiley, Curved Offset, 2013. Image courtesy of the artist. Photo by Jeff Curtis Page 21: Photography ©2013 Philipp Scholz Rittermann Page 22: Donald Lipski, Lemons. Image courtesy of the artist. Image courtesy of the artist. Page 23: Sibylle Peretti, Laying on Silver, 2013. Image courtesy of the artist. Page 24: Image courtesy of the artist. Page 25: Images courtesy of the artist. Page 26: Jenny Pohlman and Sabrina Knowles, Black Head, 2012. Image courtesy of the artists. Jenny Pohlman and Sabrina Knowles, The River, 2011. Image courtesy of the artists. Jenny Pohlman and Sabrina Knowles, Wheel of Remembering, 2010. Image courtesy of the artists. Jenny Pohlman and Sabrina Knowles, Red Warrior Dancing, 2008. Image courtesy of the artists. Page 27: Images courtesy of the artist. Page 30: Images courtesy of the artist. Page 31: Akio Takamori, Equivalents, 2012. Photo by Hanspeter Dahler. Akio Takamori, Nymph & Satyr, 2011. Photo courtesy of the artist. Akio Takamori, Squatting Girl in Striped Dress, 2013. Photo by Richard Nicol. Page 32: Image courtesy of the artist. aucTion rules All bids made on the Fuel Their Fire Website are considered final and non-retractable. Each bid is a binding pledge to make a donation of the declared amount to Museum of Glass. Payment may be made via credit card utilizing the website, check, marketable securities or wire transfer. Once the auction is concluded you will receive an email from Museum of Glass that verifies your sponsorship and the amount pledged. This email will also contain a rough timeline of redemption information for your sponsorship. Full payment is due within 30 days of the auction’s conclusion. Museum of Glass is not responsible for the cancellation of a Residency based on an “act of god” including illness, incapacitation or other unforeseen circumstance. The Museum will notify the sponsor and will attempt to identify a mutually acceptable solution, although there can be no guarantee. Donations will not be refunded; however, the donation will become 100% tax deductible in the case of a cancellation. The sponsored artist may choose to try new techniques or objects during their residency, and there is no guarantee that the resulting work will be representative of the artist’s previous work. After your piece is selected from the residency, a tax receipt will be issued showing the portion of the donation that may be tax deductible. The amount paid above fair market value for your piece is the amount that may be tax deductible. However, it is best to consult a tax expert to determine deductibility. Some pieces will require extensive finishing beyond the Residency and may not be available for some months after the Residency.